Rights & Royalties are very similar in the songwriting world and that of the book đ publishing world. Here is an easy explanation of how book rights and royalties work and how it is similar. Also the difference between indie publishers and traditional publishing houses.
Here is an interesting story I just read:
Kelis is not the songwriter or producer of âMilkshakeâ so her money stopped after she stopped performing it. She doesnât get to make any decisions regarding the song. She does not continue to get paid from the song. BeyoncĂ© puts out a song called âEnergyâ in which there is an interpolation of Milkshake, not a sample. BeyoncĂ© legally clears the use with the songs producers and adds Kelis as a songwriter which means she can NOW get paid for years to come.
Kelis goes on a tangent calling BeyoncĂ© a thief and says she could have had the decency to call her, even though she didnât have a legal obligation to do so. Instead of BeyoncĂ© responding negatively, she simply removes Kelis as a songwriter and the use of a simple âLa La Laâ that would have gotten Kelis paid for life.
Now Kelis is back to square one, no credits and no money from a hit song she didnât even own. And yâall thinking BeyoncĂ© was wrong? If anything, itâs a surprise gift. Hey, I know you didnât get taken care of for your single, so here is an opportunity where you are put you as a writer on my song so that you can get paidâŠ.
At Richter Publishing we allow the authors to keep their rights to their stories just like BeyoncĂ© so you donât end up like Kelis. Moral of the story, Kelis is like going to traditional publishing route, BeyoncĂ© is smart like going the indie route. Be smart be like BeyoncĂ© and read your contracts. Know what you are signing and what you are getting yourself into.
